|Sunday 26th April 2015|
|Accompanied by a short compilation (5 mins) of Director Roy Andersson Adverts. A Pigeon Sat on a Branch Reflecting on Existence is a Swedish comedy-drama film directed by Roy Andersson. It is the third part in his ‘living’ trilogy, following Songs from the Second Floor and You, the Living. It premiered at the 71st Venice International Film Festival where it was awarded the Golden Lion for Best Film. Its title is a reference to the 1565 painting The Hunters in the Snow by Pieter Bruegel the Elder. The painting depicts a rural wintertime scene, with some birds perched on tree branches. Andersson said he imagined that the birds in the scene are watching the people below and wonder what they are doing. He explained the title of the film as a "different way of saying 'what are we actually doing', that's what the movie is about." At the Venice Film Festival, Andersson said that the film had been inspired by the 1948 Italian film Bicycle Thieves by Vittorio De Sica.|
|Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner returns in Ridley Scott's definitive Final Cut, including extended scenes and never-before-seen special effects. In a signature role as 21st-century detective Rick Deckard, Harrison Ford brings his masculine-yet-vulnerable presence to this stylish noir thriller. In a future of high-tech possibility soured by urban and social decay, Deckard hunts for fugitive, murderous replicants - and is drawn to a mystery woman whose secrets may undermine his soul. This incredible version features the definitive Final Cut of Ridley Scott's legendary Sci-Fi classic.|
|A thrilling behind-the-scenes look at the creation of Raf Simons’ highly anticipated first Haute Couture collection as the iconic brand’s new Artistic Director. Beautifully melding the everyday, pressure-filled components of fashion with an elegant reverence for the history of Dior, Tcheng’s colorful homage is nothing short of magical. *Epilepsy Warning: Please note that during the end-credits of DIOR AND I there is a flashing lights effect.* |
|A critical favorite and word-of-mouth sensation at this year's Cannes Festival, where it took the Jury Prize in Un Certain Regard, this wickedly funny and precisely observed psychodrama tells the story of a model Swedish family-handsome businessman Tomas, his willowy wife Ebba and their two blond, pre-teen children-on a skiing holiday in the French Alps. The sun is shining and the slopes are spectacular but, during lunch at a mountainside restaurant, an avalanche turns everything upside down. With panicked diners fleeing in all directions, Ebba calls out for her husband as she tries to protect their children. Tomas, however, makes a decision that will shake the family's world to its core. Although the anticipated disaster fails to occur, his marriage now hangs in the balance as he struggles to reclaim his role as family patriarch.|
|In in a desperate bid to save his mother ( Toni Collette) from addiction and unite his broken family, a young taxi driver ( Jack Reynor) on the fringes of the criminal underworld is forced to take a job which will see him pushed further into its underbelly. But will John be prepared to act when the time comes knowing that whatever he decides to do, his and his family’s lives will be changed forever.|
|The authorised documentary on late Guitar/lead singer Kurt Cobain from his early days in Aberdeen, Washington to his success and downfall with Grunge band Nirvana.|
|World-famous British comedian and activist Russell Brand joins forces with acclaimed director Michael Winterbottom on a polemical documentary about the financial crisis and gross inequality we currently face. Starting with the genesis of today’s economic policies, with the arrival of Milton Friedman’s school of thought in Reagan’s leadership and Thatcher’s UK, the film explores how these policies have come to dominate the western world. The rich have got richer; where a CEO of a major British company used to earn 10 times the average wage of his workers, now they earn 200 times. According to Oxfam, the richest 80 people in the world own as much as the poorest 3.5 billion. It would now take 300 years for the average cleaner, cleaning the offices of his senior boss, to earn the same salary taken home by the same boss last year.
Milton Friedman once said that every crisis was an opportunity. The financial crisis of 2008 should have been a chance to reform the system for the benefit of everyone. But instead, austerity for everyone throughout Britain and Europe was the price to be paid for supporting the financial sector, with £131 billion spent by UK tax payers to keep the financial system afloat, while $30 trillion in support and subsidies went to Wall Street in the US.
Using a mixture of documentary, interviews, archive footage and comedy, Russell Brand takes us from his hometown Grays in Essex, to the heart of London ‘City’ and on to the Big Apple. This daring film will shake up the world by revealing the bewildering truth about how the people at the bottom are paying for the luxuries of those at the top.
Things can change…things do change.
|The subtitled version of The Tale of Princess Kaguya will be followed by Isao Takahata and His Tale of the Princess Kaguya Documentary.|
Legendary Studio Ghibli cofounder Isao Takahata revisits Japan’s most famous folktale in this gorgeous, hand-drawn masterwork, decades in the making. Found inside a shining stalk of bamboo by an old bamboo cutter (James Caan) and his wife (Mary Steenburgen), a tiny girl grows rapidly into an exquisite young lady (Chloë Grace Moretz). The mysterious young princess enthralls all who encounter her – but ultimately she must confront her fate, the punishment for her crime. From the studio that brought you Spirited Away, My Neighbor Totoro, and The Wind Rises comes a powerful and sweeping epic that redefines the limits of animated storytelling and marks a triumphant highpoint within an extraordinary career in filmmaking for director Isao Takahata.
|Ben Stiller and Naomi Watts are Josh and Cornelia Srebnick, happily married middle-aged members of New York's creative class. They tried to start a family and were unable to — and have decided they’re okay with that. But as Josh labors over the umpteenth edit of his cerebral new film, it’s plain that he has hit a dry patch and that something is still missing. Enter Jamie (Adam Driver) and Darby (Amanda Seyfried), a free-spirited young couple, who are spontaneous and untethered, ready to drop everything in pursuit of their next passion — retro board games one day, acquiring a pet chicken the next. For Josh, it’s as if a door has opened back to his youth — or a youth he wishes he once had. It’s not long before the restless forty-somethings, Josh and Cornelia, throw aside friends their own age — including Beastie Boy Adam Horovitz in a sly supporting role — to trail after these young hipsters who seem so plugged in, so uninhibited, so Brooklyn cool. "Before we met," Josh admits to Jamie, "the only two feelings I had left were wistful and disdainful." But is this new inspiration enough to sustain collaboration and friendship with a couple twenty years their junior?|
|Inequality, injustice and the demands of the world we live in cause stress and depression for many people. Some of them, however, explode. This is a movie about those people. Vulnerable in the face of a reality that shifts and suddenly turns unpredictable, the characters of Wild Tales cross the thin line that divides civilization and barbarism. A lover's betrayal, a return to the repressed past and the violence woven into everyday encounters drive the characters to madness as they cede to the undeniable pleasure of losing control.|
|Parent and Baby Screening|
|Accompanied by a short compilation (5 mins) of Director Roy Andersson Adverts. A Pigeon Sat on a Branch Reflecting on Existence is a Swedish comedy-drama film directed by Roy Andersson. It is the third part in his ‘living’ trilogy, following Songs from the Second Floor and You, the Living. It premiered at the 71st Venice International Film Festival where it was awarded the Golden Lion for Best Film. Its title is a reference to the 1565 painting The Hunters in the Snow by Pieter Bruegel the...|
|Wednesday April 29 2015 @ 11:30|